The next evolution in the world of dedicated mirrorless cinema prime lenses. Meike has announced six new Super35 prime cine lenses for EF, PL, RF, E, L, and Z mounts. Meike has harnessed their photo lens manufacturing experience to bring the highest quality Micro 4/3 cinema prime lenses to cinematographers. This is slower than using a peaking display, but demonstrably more accurate when you want to achieve precise focus at large apertures. 99. Meike already makes cinema prime lenses for M4/3, APS-C, and full-frame sized sensors. It’s manual only, so simply turn the focus ring until the picture is sharp. Each lens covers over 4k resolution and is designed for MFT mount cameras. One interesting option is the Meike MK 50mm F1.7. Meike is expanding its FF (Full-frame) cine lens family, by announcing a new prime cinema lens for large-format sensors, the 35mm T2.1. This behaviour is due to spherical aberration, where the outer regions of the optical unit that are used at large apertures don’t focus light at exactly the same distance as the central portion. 01959 541444 The Meike MK 50mm F1.7’s rear element is deeply recessed inside the barrel. Sony Alpha 7 II, Meike 50mm F1.7, 1/1250sec at f/1.4, ISO 100. Meike Cinema Prime 35mm T2.2 M4/3 Lens Designed specifically for mirrorless mount cameras, the Meike 35mm T2.2 cinema prime lens is a compact, sha... Meike Cinema Prime 3-Lens Kit Sony E with Hard Case (25mm, 35mm, 50mm) But you need to stop all the way down to f/11 for the corners to catch right up, at least with a relatively flat subject. Receive latest product news and technique tips from Amateur Photographer. FREE Delivery by Amazon. Lens type: Prime lens; Max Format size: APS-C / DX; Focal length: 80 mm; Image stabilization: Yes; Weight: 1.65 lb; Materials: Magnesium alloy; Zeiss Touit 2.8/50M Macro . From wide angle to telephoto, the full set will include 12, 16, 25, 35 and 50mm lenses. Included is a free premium quality Peli-style hard case with pre-cut foam designed to hold up to 6 lenses. More than once I found myself changing the aperture when I was trying to focus. The rear element is quite deeply recessed into the barrel, so it’s tempting to assume that Meike has simply copied an old SLR lens, and added a spacing tube onto the back to account for the shorter flange distance of mirrorless mounts. Pick up the Meike and you’ll immediately appreciate that it’s a substantial piece of kit, with a solid-feeling metal barrel. This promises more attractive bokeh at intermediate apertures than SLR equivalents, which typically use seven blades, or sometimes even fewer. Meike has produced incredible inexpensive Prime Cinema Lenses. The spacing between the whole-stop markings isn’t even, either; instead they start out widely separated at large apertures, but become heavily bunched together beyond f/8. Meike 35mm bright f/1.7 maximum aperture to suit working in low-light conditions and for achieving shallow depth of field effects. Usually photographers have relied on third-party lens makers to produce more affordable alternatives, but the relative newness of Canon and Nikon’s mirrorless systems means that few are yet available for them. The first lens they released was a 50mm T/2.1 FF-Prime, and the latest is a 35mm T/2.1 FF-Prime. But that huge price difference is making me think twice. Kent ME18 6AL The minimum focus distance is 60cm. £419.99 £ 419. SMIA TV = -0.7%. The diaphragm is mechanically coupled to the aperture ring, meaning that it stops down directly to the indicated setting. Unlike many other inexpensive manual lenses, it’s both designed for mirrorless, and covers full frame. American families, people will continue to spirit of "pragmatic innovation, creates the high-quality goods" the beauty of the spirit, to meet customer needs as the driving force of enterprise development, to create first-class enterprises, building first-class products and continuous efforts! There’s a hint of barrel distortion, but most of the time it’s not worth worrying about. On cameras with in-body image stabilisation, you’ll also need to set the focal length manually for the system to work correctly. The MEIKE 8mm T2.9 Manual Focus Cinema Prime Lens is currently the widest focal length in the Meike lineup, equivalent... Sale. These lenses allow you to purchase a cine-glass that covers full-frame cameras without breaking your bank. Meike 12mm T2.2 Manual Focus Wide Angle Fixed Prime Cinema Lens for M43 Micro Four Thirds MFT Mount Cameras and Cinema Camera BMPCC 4K The 12mm cine lens has a wide view angle of 92 degrees, great for landscape videography Examination of our chart tests reveals mild barrel distortion, and with the lens having no electronics, it can’t be corrected in-camera. 74,49 € Neewer 32mm F / 1.6 Manueller Fokus feste Objektiv Scharfe Hohe Blende, Kompatibel mit Sony A7III A9 NEX 3 3N 5 NEX 5T NEX 5R NEX 6 7 … Meike 85mm F1.8 Sony FE Full Frame Portrait MF Lens E Mount Camera A7RIII APS-C. $175.95 . MEIKE 12mm T2.2 Manual Focus Cinema Prime Lens MFT Mount. Unlike many other inexpensive manual lenses, it’s both designed for mirrorless, and covers full frame. £308.00 £350.00. It’s worth repeating that this lens has no electronic connection with the camera. Meike Cinema Prime 8mm T2.9 $439.00 Meike Cinema Prime 12mm T2.2 $399.00 This new series is slightly different from the existing APS-C coverage lenses they already make. In fact the markers for f/11 and f/16 are just dots, so don’t expect to be able to set them with any great precision. Sony Alpha 7 II, Meike MK 50mm F1.7, 1/60sec at f/8, ISO 250. 4.5 out of 5 stars 31. As a result, the Meike 50mm f/1.7 is considerably more compact than Sony’s inexpensive FE 50mm F1.8, and almost exactly the same size as the Samyang AF 45mm F1.8 FE, which employs a completely different, designed-for-mirrorless optical formula. That way I’m able to cope with every light situation weather throws at me and it creates the nicest bokehs. Currently, Meike’s only cinema lens is a compact prime 25mm T2.2 with a native, all-manual, M/43 mount. After years of efforts, the company has developed into a professional manufacturer of photographic equipment of high-tech enterprises. Meike 12mm T2.2 Manual Focus Wide Angle Fixed Prime Cinema Lens for M43 Micro Four Thirds MFT Mount Cameras and Cinema Camera BMPCC. Meike has equipped the MK 50mm F1.7 with a 12-blade circular diaphragm. The Meike 35mm f/1.7 is an excellent budget standard prime lens option for your Fujifilm camera. July 19, 2017 at 11:26 pm thanks for this review. It’s made in Canon RF, Nikon Z, Sony E, Fujifilm X and Micro Four Thirds mounts: I’ll look at how well it works on full frame, using Sony’s Alpha 7-series bodies. An 85mm prime lens has always been a good solution for portrait shots, but the highest-quality versions have always been a bit pricey. var ULTIMEDIA_target = "ultimedia_wrapper"; Why you should buy this lens: If you’re as impressed by German engineering as I am, then the enthusiast in you would jump at the opportunity to own a Zeiss lens. The MEIKE Mini Cinema Prime Lens Set MFT Mount is a full production ready set of cine lenses. Out-of-focus backgrounds are attractively blurred. I’m doing wedding videos and i’m looking for a 35mm lens for my a6300. Get it Tomorrow, Feb 11. This lens joins its big sister, the Meike 50mm T2.1. The company willing to advanced tech`nology, reliable quality, scientific management, to provide customers the first-class products and services. Add to Wishlist. var ULTIMEDIA_zone= "2"; The Meike MK 50mm F1.7 balances well on small full-frame mirrorless cameras. This is where the Meike 85mm f/1.8 comes into play, available at a very affordable price point. ship to:Maniema Congo, The Democratic Republic Of The 23:50 MeiKe MK-500DL LCD Battery Grip for Canon … Meike Cinema Prime 5-Lens Kit MFT with Hard Case (12mm, 16mm, 25mm, 35mm, 50mm) Featuring a T2.2 maximum aperture, low-dispersion glass, and high ... View full details $2,079.99 Quick look Add to cart $399.99 Meike Cinema Prime 25mm T2.2 Fuji X Lens meike Meike Cinema Prime 25mm T2.2 Fuji X Lens Designed specifically for mirrorless mount cameras, the Meike 25mm T2.2 cinema prime lens is … £419.99 £ 419. At large apertures, the edges of the image are unusually blurred. Closer analysis reveals that the optics suffer from marked curvature of field, with the corners of the frame coming into focus at a closer distance than the centre, which accounts for much of their apparent softness. Like most conventional 50mm primes, the minimum focus distance is limited to 50cm. Let’s explore it below. The MEIKE 12mm T2.2 Manual Focus Cinema Prime Lens is currently the widest focal length in the Meike lineup, equivalent... Sale. As a result, you’ll need to take the camera down from your eye whenever you want to change the aperture. Meike Global -Meike (MEKE) Unique Global Official Website Get News about Meike products Buy all Meike products Book products that are not yet on the market Meike Lens ,Meike Battery Grip,Meike Cine Lens,Meike Flash,Meike extension tube ,Meike Hand Grip Talk with us about Meike -Products Detail ,After-sales service Meike Global -Meike (MEKE) Unique Global Official Website Get News about Meike products Buy all Meike products Book products that are not yet on the market Meike Lens ,Meike Battery Grip,Meike Cine Lens,Meike Flash,Meike extension tube ,Meike Hand Grip Talk with us about Meike -Products Detail ,After-sales service The new RF cine primes appear to be quite compact and budget-friendly at under $400 a piece. This is one area where more sophisticated manual-focus lenses from the likes of Voigtländer and Zeiss offer a clear advantage, but naturally, they’re far more expensive. In diesem Artikel stellen wir euch die Meike 16mm t2,2 Cine Lense für MFT vor. One area where Meike has catered to modern sensibilities regards the diaphragm, which employs 12 curved blades to give a circular aperture. Out-of-focus backgrounds are rendered with a smooth, attractive blur, which is the flip-side of that under-corrected spherical aberration. It’s a fairly compact standard prime that can be bought from online marketplaces such as Amazon and eBay for well under £150. Meike 16mm T2.2 Manual Focus Cinema Prime Lens (MFT Mount) auf Amazon.de - Kameras und Zubehör zu günstigen Preisen As a result, the lens is really well-suited to selective-focus work such as portraiture. If this is the sort of photography you do, and you can live with manual focus, the MK 50mm f/1.7 could be a characterful addition to your lens arsenal. As a result, the selected aperture isn’t displayed in the viewfinder while you’re shooting, and neither the focal length nor the aperture will be recorded in your images’ EXIF data. The Sony 35mm f1.8 OSS is my first choice because of its OSS capability. I found that a value of +3 applied to the Distortion slider found in Adobe Camera Raw’s Lens Corrections tab did the trick. This means that if you are on a limited budget and still want good image quality, you have to be more strategic with your choices. Yalding Hill Meike has so far unveiled two new S35 prime lenses as part of their Super 35-Prime Cine Lens Series which will include a total of six lenses that will be at T/2.1. In an unexpected quirk, both cameras consistently underexposed images shot with the Meike lens, generally needing 0.7 to 1 EV exposure compensation. Die Meike 25mm Cine Linse haben wir euch ja schon vorgestellt und heute schauen wir ob die 16mm die gleiche Qualität in Sachen Verarbeitung und Bild hat.. Einführung; Meike … 4,3 von 5 Sternen 199. The 50mm T2.1 Full-Frame lens is available in PL/EF/RF/E/L/Z mounts. Es geht weiter im Meike Cine Lense Set. Company's products are mostly suitable for Nikon,Canon and Sony Have all kinds of DSLR battery grip, shutter release, extension tubes, according to the market demands, the flash also became a beautiful shiny products. Full-frame mirrorless cameras have been grabbing all the headlines over the past 18 months, as they provide excellent image quality in relatively small bodies. var ULTIMEDIA_mdtk = "02553516"; Sony Alpha 7 II, Meike MK 50mm F1.7, 1/60sec at f/8, ISO 125. Accurate focusing is made easier by placing your preferred focus aid on an easy-to-reach button. These specs, combined with its form factor, are very similar to the popular, but effectively unavailable, Veydra 25mm prime. The outside diameter of the lens is 85mm, which is cinema standard and should work with most clamp-on matte boxes. the lens can produce high quality images. This similarity has caused a lot of speculation that Meike’s lens is a cheap rip-off of Veydra’s design. A plastic petal-type lens hood comes in the box. Welcome customers from all over the world to contact us or visit us directly. It certainly has plenty of flaws and there is a reason why it’s cheap, but overall it performs much better than the price point would indicate. Images show a hint of barrel distortion. Yalding Our Image Engineering MTF50 tests, conducted on the 24MP Alpha 7 III, reveal the lens’s unusual sharpness profile. The aperture mechanism consists of eleven aperture blades. But the effect goes away rapidly on stopping down: at f/2.8 we see just a little darkening in the far corners, and by f/4, the effect has gone altogether. Budget cine lens maker MEIKE is getting ready to release a set of RF mount cine primes for the RED Komodo and Canon EOS C70.Of course, being a native RF mount these lenses would fit any other RF mount camera – such as the Canon EOS R5 and others.. $10.00 shipping. You can get closer using extension tubes, of course, but will need to stop down considerably to get sharp results. This image required +1 stop exposure compensation on the Sony Alpha 7 II to match a reference AF lens. It’s all manual, which I like but some people might not. Neewer 35mm F1.7 Große Blende Manuelles Prime Fixed-Objektiv APS-C Kompatibel mit Sony E-Mount Digitale Spiegelkamera A7III A9 NEX 3 3N 5 NEX 5T NEX 5 A6400 A5000 A5100 A6000 A6100 A6300 A6500 A3000 . Some photographers will also be dismayed to find that the aperture ring lacks click-stops to help make quick adjustments, suggesting that the lens was designed with video equally in mind. In terms of image quality, the lens initially appears to behave similarly to other double-Gauss 50mm primes. But in this case it’s the more accurate approach, because the lens turns out to exhibit significant focus shift on stopping down. With a small aperture, and a favourable subject, images are sharp from corner-to-corner. Only 7 left in stock. The lens mount has no electronic contacts for communication with the camera. Where the lens does excel, though, is with regards to bokeh. Wide open, it’s capable of resolving fine detail in the centre of the frame, but at rather low contrast as a result of its spherical aberration. Meike MK 50mm F1.7, MTF50, tested on Sony Alpha 7 III. The very low numbers at large apertures reflect low contrast due to spherical aberration, but central sharpness picks up rapidly at smaller apertures, and is excellent by f/5.6. The focus ring displays a distance scale in feet and metres, but disappointingly there are no depth-of-field markings, meaning that you can’t easily work with zone-focusing techniques. Featuring a T2.2 maximum aperture, low-dispersion glass, and high ... Meike Cinema Prime 25mm T2.2 Fuji X Lens Designed specifically for mirrorless mount cameras, the Meike 25mm T2.2 cinema prime lens is a compact, s... Meike Cinema Prime 25mm T2.2 M4/3 Lens Designed specifically for mirrorless mount cameras, the Meike 25mm T2.2 cinema prime lens is a compact, sha... Meike Cinema Prime 25mm T2.2 Sony E Lens Designed specifically for mirrorless mount cameras, the Meike 25mm T2.2 cinema prime lens is a compact, s... Meike Cinema Prime 16mm T2.2 M4/3 Lens Designed specifically for Micro4/3 MFT mount cameras, the Meike 16mm T2.2 cinema prime lens is a compact, s... Meike Cinema Prime 12mm T2.2 M4/3 Lens Designed specifically for Micro4/3 MFT mount cameras, the Meike 12mm T2.2 cinema prime lens is a compact, s... Meike Cinema Prime 3-Lens Kit Sony E with Hard Case (25mm, 35mm, 50mm), Meike Cinema Prime 5-Lens Kit MFT with Hard Case (12mm, 16mm, 25mm, 35mm, 50mm). As is typical for fast primes we see fairly strong vignetting wide open, with more than a stop lower illumination in the corners of the frame compared to the centre. The company's series of products are loved by consumers. The focus ring is easy enough to turn with two fingers, but sufficiently taut that you’re unlikely to displace it by accident. As the diaphragm stops down directly, you’ll naturally end up focusing at the taking aperture. I tested the Meike MK 50mm F1.7 on the 24MP Sony Alpha 7 II and III bodies, using magnified view as my preferred focusing aid, activated by the C1 button behind the shutter release. Indeed at 310g, it’s almost twice the weight of the Samyang 45mm f/1.8 or the Sony 50mm f/1.8. On one level, this lens is about as simple as it gets when it comes to focusing. … Equivalent to the field of view for a 50mm (M4/3 sensor) or 40mm (Super35/APS-C sensor) lens in Full Frame 35mm stills format, which is a standard portrait lens. Ending Feb 28 at 9:00PM PST 4d 6h. var ULTIMEDIA_async = false; However, a more detailed comparison shows that this isn’t true, and the design has genuinely been modified for mirrorless. The biggest perk of that lens is definitely the aperture of F1.4. By the way, it performs similarly and is generally (at … The company has more than 20 professional and technical personnel, more than 200 production staff and sales team can provide customers with services at any time, the company set research and development, production and sale into an organic whole, through the ISO9001:2008 quality management system certification, the products have obtained CE, FCC, ROHS many international certifications and so on, to provide customers with high quality, high efficiency, energy saving, reliable products. After releasing a 50mm T2.1 full-frame cine lens in PL, RF, EF, L, and E-mount, Meike has announced a 35mm T2.1 prime that's available in the same mounts.. We were excited about the 50mm T2.1 announcement because the lens wasn't rehoused still glass with cine-friendly features like 0.8m mod gears and a de-clicked aperture, … Sony Alpha 7 II, Meike 50mm F1.7, 1/320sec at f/8, ISO 100. Meike 85mm F/1.8 Aspherical Medium Telephoto Prime Lens for Canon EF Mount RH E-Mail an Freunde Auf Facebook teilen (wird in neuem Fenster oder Tab geöffnet). www.kelsey.co.uk, TILT Digital Agency WordPress Designers and Developers in Kent, WordPress Designers and Developers in Kent, + Smoothly-operating focus and aperture rings, - Poor sharpness towards the edges of the frame at apertures larger than f/8, - Aperture ring is clickless, and easy to confuse with the focus ring when using the viewfinder, - No electronic communication with camera. The circular diaphragm also keeps the bokeh more attractive when the aperture is closed down a stop or two. Then they suddenly start to pick up, and by f/11 the lens is capable of resolving fine detail right across the frame. A deep petal-style plastic lens hood is supplied and bayonets firmly into place, while reversing neatly for storage. Meike MK-3.5mm f2.8 Ultra Wide Circular Fisheye lens for Olympus Panasonic Lumix MFT Micro 4/3 … Sony Alpha 7 II, Meike MK 50mm F1.7, 1/100sec at f/8, ISO 100. This in effect gives a full-time preview of depth of field, with the camera’s viewfinder automatically gaining up to compensate for the reduced light reaching the sensor at smaller settings. Throw in its focus shift on stopping down, and the Meike is certainly much less well-behaved optically than the 50mm primes that were traditionally supplied with manual-focus film SLRs. The lens design of the Meike 50mm T/2.1 FF-Prime consists of twelve elements in eight groups. Sony Alpha 7 II, Meike MK 50mm F1.7, 1/60sec at f/1.7, ISO 200. One interesting option is the Meike MK 50mm F1.7. Only 2 left. It has lots of character, something that’s often missing from modern lenses. Meike 35mm f/1.7 Handling and Features The lens is of metal construction and highly reminiscent of the Asahi Pentax Super-Takumar lenses of the 1960s. Most of the time it won’t be a problem pictorially, but it’s easy enough to neutralise in raw processing when necessary. In practical use, perhaps the biggest irritation lies with the fact that there’s no clear difference in feel between the focus and aperture rings, making it easy to confuse the two with the camera up to your eye. It also ends up shorter than any SLR-mount fast 50mm used on a mount converter, being closer in length to an adapted rangefinder lens. Auf Twitter teilen (wird in neuem Fenster oder Tab geöffnet). Meike 40M DC Underwater Waterproof Case for Sony NEX-3 Camera NEX3 16mm lens. This is an unavoidable flaw on large-aperture primes that don’t use aspherical elements, but the Meike 50mm f/1.7 seems to suffer from it more than most. The Granary, Downs Court Meike Cinema lens Set 12mm 16mm 25mm 35mmT2.2 … The Meike MK 50mm F1.7 is designed for use on full-frame mirrorless cameras. But their lens systems have, if anything, grown larger and more expensive than their DSLR counterparts, due to the current fashion for prioritising corner-to-corner sharpness. 15 thoughts on “Gear Review: Neewer (Meike) 35mm f/1.7 Manual Focus Prime Lens” Ron Unasin. Meike 35mm f1.7 Prime Lens (Micro Four Thirds M4/3 mount) $105.00 $139.00. We took them out for a day in the park to see what they can do. As you stop down the aperture, the sharp central region gets crisper, but strange things happen with the corners, which barely sharpen up at all until about f/5.6. You’ll also see intense vignetting, but this should be viewed as an aesthetic characteristic rather than a flaw; it’ll actually complement many subjects, and disappears by f/4 anyway. Without question my most beloved lens back then and even now, because the quality is just insane. The filter thread is 52mm, and doesn’t rotate on focusing, which facilitates using filters such as polarisers. Even so the lens balances very nicely on Sony’s Alpha 7-series bodies, and both the control rings rotate extremely smoothly, without a hint of backlash. Add to Wishlist. However the edges and corners are notably blurred. Add to cart. Meike 25mm T2.2 Manual Focus Prime Mini Cinema Lens for Micro Four Thirds MFT M43 Mount Cameras. The aperture ring is clickless, and the spacing between whole-stops is uneven. Meike expands its full-frame cine lens line with a new 35mm T2.1. On the other hand, if you’re primarily interested in getting a fast prime to shoot at large apertures for selective-focus work, the Meike will reward you with lovely-looking images. Kelsey Media Ltd Today's era is an era of change, is an age of innovation. In this industry are welcomed, and large-scale exhibitions at home and abroad, won the award. The company was founded in 2005, headquartered in Hong Kong, has branches and offices in mainland China. In terms of optical construction, the lens employs six elements in five groups, implying a classic double-Gauss design of the type that’s been used by 50mm primes for decades. Lenses are available in Sony E-Mount, Fujifilm X-Mount, and M4/3 mount. Meike 50mm T/2.1 FF-Prime – Lens Design. The MK-2522T-M43 25mm T2.2 Mini Prime Lens with MFT Mount from Meike is a standard focal length for Micro 4/3 MFT cameras. 4.9 out of 5 stars 28. The entire optical system sits closer to the sensor than would be possible with an SLR design, and the rear element has been considerably enlarged, which potentially allows better illumination of the corners of the sensor. Its compact size, all-metal barrel and simple operation all appeal, but with its peculiar combination of aberrations, optically it doesn’t behave quite as we’d expect from a 50mm prime. However some manual focus optics are starting to appear, aided by the fact that they just need to copy the mount’s physical specifications, and the electronics. Featuring a T2.2 maximum aperture, low-dispersion glass, and high refractiv... Meike Cinema Prime 5-Lens Kit MFT with Hard Case (12mm, 16mm, 25mm, 35mm, 50mm) This also means that you may be able to get better sharpness towards the edge of frame by careful re-focusing, but at the expense of central detail. As a result, Sony shooters desiring biting cross-frame sharpness would get better results from the FE 50mm F1.8, while Canon EOS R and Nikon Z-series owners would be better off using the firms’ respective 50mm f/1.8 SLR lenses via mount converters. Meike’s 50mm f/1.7 is a curious beast whose imaging characteristics take some time to unravel. Meike MK 50mm F1.7 Distortion. Sony Alpha 7 II, Meike MK 50mm F1.7, 1/1250sec at f/1.7, ISO 400. For died-in-the-wool SLR users used to focusing with the aperture wide open, this will seem all wrong. ship to:Ajdovščina Slovenia 23:45 Meike DSLR Camera TTL Flash Remote Cord Sync Cable SC-28 10M. ship to:Donets'ka Oblast' Ukraine 23:42 MeiKe MK-D80/MB-D80/BG-90 Battery Grip for Nikon D80 D90. As the camera can’t know when you’re adjusting the focus, it makes sense to assign your favourite aid, such as live view or peaking, to a custom button that’s easy to locate when you’re looking through the viewfinder. It’s a fairly compact standard prime that can be bought from online marketplaces such as Amazon and eBay for well under £150.